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Guiot de Dijon (''fl.'' 1215–25) was a Burgundian trouvère. The seventeen ''chansons'' ascribed to him are found in two chansonniers: the Chansonnier du Roi and the less reliable Berne Chansonnier. According to the online edition of the ''Grove Dictionary of Music and Musicians'', Guiot was "technically fluent () successfully used a wide variety of poetic structures(but ) is seldom imaginative." Guiot, presumably from Dijon, was patronised by Erard II de Chassenay, who participated in the Fifth Crusade but was back in Europe in 1220. Four of Guiot's songs—''Amours m'a si enseignié'', ''Quant je plus voi felon rire'', ''Joie ne guerredon'', and ''Quant li dous estés''—have two distinct melodies in the chansonniers, and it is impossible to determined which, if either, is Guiot's invention. One late setting of ''Quant je plus'' is notable among trouvère melodies for being through-composed and in Franconian notation. Overall, Guiot's melodies are usually identified as those appearing in bar form, which all end on the same note and have a common tessitura. Guiot probably modelled ''Chanter m'estuet, coment que me destraigne'' after the Occitan song ''Si be·m sui loing et entre gent estraigna'' by the troubadour Peirol. The song ''Penser ne doit vilanie'' sometimes attributed to him served as a model for the anonymous ''De penser a vilanie''. ==List of songs== In only two cases is the ascription of a song to Guiot corroborated by a second source. Usually an ascription in a single source is contradicted by other ascriptions in other sources. The ascriptions of at least two songs without competing attributions have been doubted by modern scholars: ''Chanter m'estuet pour la plus bele'' and ''Chanterai por mon corage''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Guiot de Dijon」の詳細全文を読む スポンサード リンク
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